In the two examples above, you can see another advantage of using an L-Plate. When you have to flop your camera over (roll-over image on the left), the weight is no longer centered over the tripod. With the camera mounted vertically on the L Plate (roll-over image on the right), the weight is aligned right over the center of your head. Also, with the ballhead plate at the top where it is supposed to be, you have a full range of motion for creative framing. This is very helpful when dealing with macro shots and abstract compositions.
The model of L-Plate that I purchased for the Canon 40D is Really Right Stuff's B40D-L. It is designed to work with just the body and not Cannon's optional BG-E2N battery grip. For that application, you would need the RRS BGE2-L40.
The workmanship on RRS products is fantastic. Every edge is smoothed, beveled, and lovingly anodized to allow machine like precision with your clamp. It is evident that RRS manufactures each L-Plate specifically for the camera body intended. When you couple their L-Plate and a lever-release clamp, transitioning from horizontal to veridical takes only seconds. Being able to quickly try out veridical and horizontal images without scooting the tripod up/down, right/left is a huge time saver.
Note that the extreme smooth finish and operation of the L-Plate with a lever-release clamp does bring a hazard. Really Right Stuff's design does not incorporate limit stops. If you fail to fully clamp the plate down, the camera can slide off in either direction. This is true for both sets of dovetails (landscape and vertical). When using the lever-release, I have gotten into the habit of gently pulling up on the camera after the lever is closed to make sure both the front and back dovetails are engaged and everything is secure.
The part of the L-Plate that covers the left side of your camera has a cutout for access to the flash sync and cable release plugs.
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Access to the left hand terminal cover(s).
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The slot cut in the end of the L-Plate allows exit of a remote release cord.
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Access to the terminal covers is the only sore spot in the design. To truly gain access to the terminal cover, flip it backwards out of the way, and connect a remote release cord, you have to loosen the L-Plate and slide it away from the end of the camera. This creates the clearance needed to make access functional, but adds bulk to the camera profile. The picture on the left above shows that the oval shape of the cutout formed by the L-Plate is very close to the rubber covers on the body. Even with the plate fully snugged against the body, it is possible to pry the covers up from the bottom and get your remote cord connected; however, you would not be able to then mount the L-Plate for a vertical picture because the sync cord and rubber cover would conflict with the clamp.
I choose to position the L Plate as tight to the camera as possible, even snugging the L-plate against the body before I tighten the allen bolt into the tripod socket. Leaving even the smallest gap between the right edge of the camera and your L-Plate creates a cantilever that could allow vibrations when shooting vertically. This is mostly theoretical and I can't prove it, so don't loose sleep if you want to set the plate away from the camera to use the sockets.
One other thing to consider with this L-Plate is the weight; it comes in at 99 grams. The Canon 40D weight is 822 grams, which means that adding the RRS L-Plate increases your camera body weight by 11%. I do not consider this to be a weakness in the product. Really Right Stuff did an excellent job of removing all the unnecessary material for an elegant design. I simply bring it up because the added mass was more noticeable than I expected.
Overall, I give the B40D L-Plate for the Canon 40D a hearty thumbs up. L Plates are in general a necessity for effective use of a tripod. Really Right Stuff has done a great job on the design of this plate with the only weakness being access to the sync and remote cords and a lack of limit stops. Compared to other manufacturers of plates, I think that Really Right Stuff's build quality puts them at the top. For any new cameras that may be in my future, a matching RRS L-Plate is sure to follow.


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